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Was it his ego that eventually brought down the mighty Eddie Quinn's empire?  Well, not exactly. As we discovered last time in Part 1 of this series, Mr.
Quinn was quite the big spender and bon vivant. However, it was the changing times that primarily contributed to his demise. While professional wrestling was a white hot television commodity in the 1950's, things cooled down considerably by the time the next decade began. Simply put, the writing was on the wall for Eddie Quinn after he lost his Quebec TV deal in 1960. What had been nurtured as his main promotional tool for house shows at the
Montreal Forum came back to haunt him with its removal. He was never able to recover and his company withered away and died within a few years. A year after that, Quinn himself was also dead. 

Like Vince McMahon Jr., Eddie Quinn had great promotional instincts and would have been an odds on favourite to successfully operate on a national basis back in his day. But unlike McMahon, Quinn lacked that singularity of vision which I talked about back in Part 1. Instead of focusing on the vast
potential his wrestling empire of offered, Eddie became distracted by too many other outside interests and amusements. As a result, he was totally unprepared to deal with the new reality in 1960, and it put out him out of business.

By the beginning of 1965, Quinn was dying and pro wrestling was dead as far as Quebec was concerned. With the playing field now clear, former local star Johnny Rougeau - once a protege of Yvon Robert's - decided to open up a new wrestling office. Rougeau, a one-time International champion who had retired from the mat game a few years earlier to run the popular Mocambo nightclub, invested $50,000 and signed an exclusive french-language television deal with CFTM channel 10, a four-year old independent station in Montreal. The promotion was christened "Les As De La Lutte" in French - or "The Aces Of Wrestling" in English. (However, there has always been some confusion about this because the bilingual company logo lists the English name as "All-Star Wrestling." That is the moniker under which the cards were booked and is generally referred to as such since it is emblazoned on the promotion's

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Rougeau wisely ventured out cautiously and set up his home base at the modest Paul Sauve Centre in the east-end of Montreal. He then proceeded to recruit an interesting mix of veteran workers such as Antonino Rocca, Larry Moquin and Tony Angelo to headline over lesser local talent and a few imports from other Canadian provinces. The sensible decision was also made to continue the lineage of Quinn's International heavyweight title, tying the new company to Quebec's rich wrestling history. Since former International titleholder Edouard Carpentier had abandoned the belt in 1964 for greener pastures,
Rougeau held a tournament. It was won by the hated Hans Schmidt on October 1st, 1965. But it soon became crystal clear who the real star of the show was intended to be when Johnny Rougeau himself came out of retirement to wrest the belt from Schmidt a little over one month later on November 18th. Former wrestler Bob "Legs" Langevin was then installed as the figurehead All-Star "promoter."

1966 saw All-Star Wrestling slowly but steadily rising. When the Rougeau-Schmidt feud cooled down, Edouard Carpentier made a triumphant return
to Quebec and traded the belt with Hans over the course of the year. Edouard and Johnny also made a solid one-two babyface punch at the top of the card.  Other stalwarts around the circuit were Eddie Auger (a Rougeau relative), Tony Marino, Baron Gattoni, The Beast (Yvon Cormier), Dick "Bulldog" Brower, and Buster "Guillotine" Gordon. In the latter half of the year, Maurice "Mad Dog" Vachon came in from a hot tour of the AWA, as did Wladek "Killer"
Kowalski from the northeastern U.S. The tag team of Terry & Ronnie Garvin were active as was a youngster by the name of Zelis Amara, who would later do on to carve his niche (quite literally) as Abdullah The Butcher! 

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Old School Tape Review 4

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